Goddess Kali लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
Goddess Kali लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं

गुरुवार, 1 दिसंबर 2022

What is Dasa Mahavidya?



The feminine divinity is a powerful entity. From mother nurturers to destroyers, from knowledge to wealth, they encompass every aspect of the physical and spiritual realm. A part of such a powerful entity is the Mahavidya.

The ten Mahavidyas, or Wisdom Goddesses, represent distinct aspects of divinity intent on guiding the spiritual seeker toward liberation. For the devotionally minded seeker, these forms can be approached in a spirit of reverence, love, and increasing intimacy. For a knowledge-oriented seeker, these same forms can represent various states of inner awakening along the path to enlightenment.

A Dasa Mahavidya is one of the 10 wisdom goddesses in Hinduism. The term comes from the Sanskrit, Dasa, meaning “ten,” maha, meaning “great” and Vidya, meaning “knowledge.” Each Mahavidya is a form of the Divine Mother. In Hindu religious scripts, the Dasa Mahavidya was created after a disagreement between Lord Shiva and Sati (a form of Shakti). The Dasa Mahavidya are as follows:-

1. Kali – The ultimate form of Brahman, "Devourer of Time" (Supreme Deity of Kalikula systems). Mahakali is of a pitch black complexion, darkest than the dark of the Death Night. She had three eyes, representing the past, present and future. She has shining white, fang-like teeth, a gaping mouth, and her red, bloody tongue hanging from there. She has unbound dishevelled hair. She was wearing tiger skins as her garments, a garland of skulls and a garland of rosy red flowers around her neck, and on her belt, she was adorned with skeletal bones, skeletal hands as well as severed arms and hands as her ornamentation. She has four hands, two of them were empty and two others carried a sword and demon head.

2. Tara – The Goddess as Guide and Protector, or Who Saves. Who offers the ultimate knowledge which gives salvation. She is the goddess of all sources of energy. The energy of the sun is also a grant from her. She manifested as the mother of Lord Shiva after the incident of Samudra Manthan to heal him as her child. Tara is of a light blue complexion. She has dishevelled hair and wears a crown decorated with the digit of the half-moon. She has three eyes, a snake coiled comfortably around her throat, wearing the skins of tigers, ornamented with a garland of skulls. She is also seen wearing a belt, supporting her skirt made of tiger skin. Her four hands carried a lotus, scimitar, demon head and scissors. She had her left foot resting on the corpse of Shiva

3. Tripura Sundari (Shodashi) – The Goddess Who is "Beautiful in the Three Worlds" (Supreme Deity of Srikula systems); the "Tantric Parvati" or the "Moksha Mukta". She is the head of manidweep. Shodashi is seen with a molten gold complexion, three placid eyes, a calm mien, wearing red and pink vestments, adorned with ornaments on her divine limbs and four hands, each holding a goad, lotus, bow and arrow. She is seated on a throne.

4. Bhuvaneshvari – The Goddess as World Mother, or Whose Body is all 14 lokas (whole cosmos). Bhuvaneshwari is of a fair, golden complexion, with three content eyes as well as a calm mien. She wears red and yellow garments, decorated with ornaments on her limbs and has four hands. Two of her four hands hold a goad and noose while her other two hands are open. She is seated on a divine, celestial throne.

5. Bhairavi – The Fierce Goddess. The female version of Bhairav. Bhairavi is of a fiery, volcanic red complexion, with three, furious eyes, and dishevelled hairs. Her hair was matted and tied up in a bun, decorated by a crescent moon as well as two devil horns sticking out from each side. She has two protruding tusks hanging out from the ends of her bloody mouth. She wears red and blue garments and is adorned with a garland of skulls around her neck. She also wears a belt decorated with severed hands and bones attached to it. She is also decked with snakes and serpents too as her ornamentation, and rarely she is seen wearing any jewellery on her limbs. She has four hands, two of which are open and two of which hold a rosary and book.

6. Chhinnamasta – The self-decapitated Goddess. She chopped her own head off to satisfy Jaya and Vijaya (metaphors of Rajas and Tamas - part of the trigunas). Chinnamasta is of a red complexion, embodied with a frightful appearance. She had dishevelled hair. She has four hands, two of which held a sword and another hand held her own severed head, with three blazing eyes with a frightful mien, wearing a crown, and two of her other hands held a lasso and drinking bowl. She is a partially clothed lady, adorned with ornaments on her limbs and wearing a garland of skulls on her body. She is mounted upon the back of a ferocious lion.

7. Dhumavati – The Widow Goddess. Dhumavati is of a very smoky dark brown complexion, her skin is wrinkled, her mouth is dry, some of her teeth have fallen out, her long dishevelled hairs are grey, her eyes are seen as bloodshot and she has a frightening mien, which is seen as a combined source of anger, misery, fear, exhaustion, restlessness, constant hunger and thirst. She wears white clothes, donned in the attire of a widow. She is sitting in a horseless chariot as her vehicle of transportation and on top of the chariot, there is an emblem of a crow as well as a banner. She has two trembling hands, one hand bestows boons and/or knowledge and the other holds a winnowing basket.

8. Bagalamukhi – The Goddess Who Paralyzes Enemies. Goddess Bagalamukhi has a molten gold complexion with three bright eyes, lush black hair and a benign mien. She is seen wearing yellow garments and apparel. She is decked with yellow ornaments on her limbs. Her two hands held a mace and the tongue of demon Madanasur, as he was in paralysis. She is depicted seated on either a throne or on the back of a crane.

9. Matangi – the Prime Minister of Lalita (in Srikula systems), sometimes called the "Tantric Saraswati". Matangi is depicted as emerald green in complexion, with lush, dishevelled black hairs, three placid eyes and a calm look on her face. She is seen wearing red garments and apparel and is bedecked with various types of ornaments all over her delicate limbs. She is seated on a royal throne and she has four hands, three of which hold a sword or scimitar, a skull and a veena as a musical instrument. Her one hand bestows boons to her devotees.

10. Kamala ( Kamalatmika) – The Lotus Goddess; sometimes called the "Tantric Lakshmi". Kamala is of a molten gold complexion with lush black hair, three bright, placid eyes, and a benevolent mien on her face. She is seen wearing red and pink garments and apparel and is bedecked with various types of ornaments and lotuses all over her limbs. She is seated on a fully bloomed lotus and has four hands, two of which held lotuses while two others granted her devotees' wishes and assured protection from fear.

मंगलवार, 16 फ़रवरी 2021

WHO IS MAHAKALI?

Maha Kali



Kali (Eternal Night): The first Mahavidya is Kali in a corpse. Hugely terrifying, laughing out loud, with hideous teeth, four arms holding a sword and skull and giving gifts to mudras and dispelling fear, wearing a garland of skulls, wildly waving tongue, completely naked (Digambara - dressed in the directions), with only a garland of demonic hands around his waist, with strands of a cascade of black hair piled Kali, who dwells in the centre of the cremation site

Kali - The Goddess of Yogic Transformation


As the chosen deity worshipped by Paramahansa Ramakrishna, one of the famous modern masters of the Hindu tradition, Kali is one of the most important famous of Maha Vidya, but still not well understood, we admire the anger in Ramakrishna: His love, happiness and universal spirit from her are a gift from Kali to us. Kali has already transmitted her message for modernity.

Meaning of Kali

Kali means beauty. The root Kal, from which the name comes, means "to count", "to measure". "Or" set in motion ", hence" time ". It is also related to what is well modelled or measured, hence beauty. Time itself has a movement, a rhythm, a dance that is the basis of all beauty This is also the rhythm of the life force that allows movement.

Kali is dark blue and wears a garland She has her long tongue sticking out and laughs. Sometimes instead of a tongue, she has two fangs. She has four arms and four hands and holds a helicopter head with one hand and one. Time is life. Life is our movement in time. We experience time through our own life force or prana. Kali as time is prana or the life force. 

Kali or the divine mother is our life. It is the secret force behind the work of our body systems and life energy. Only through them do we live and it is their intelligence that gives the body such a wonderful order. Kali is the love that exists in the heart of life; that is immortal life that cycles through life and death through the eternal nature of life Birth and permanent death is another meditative approach. 


The truth is that our soul, our pursuit of the divine, which is our eternal love, has never died and will never die, so that the things of the spirit and the senses may die and know cosmic life and divine grace us this eternal life But eternal life has Only the immortal can be immortal as nothing can change its own nature. The mortal and the ephemeral must pass. To achieve the eternity that is Kali, our mortal nature must be sacrificed. Thus, Kali appears terrifying and destructive to ordinary vision. The Nirvanic field, the realm of the unborn, the uncreated and the unmanifest. Kali only develops ways to take us further. When his power awakens in us, he works to remove all limitations and attachments so that we can transcend the entire field of the known. 

All things are achieved with her. time and breath, but what he achieves is not a merely external act but performs the spiritual work of our rebirth in pure consciousness. It generates energy for him and does the work when we surrender to his strength.


Kali is that the love that exists at the guts of life, which is that the immortal life that endures through both life and death. Maintaining the attention of the eternal nature of life through the cycles of birth and death is another one amongst her meditational approaches. the reality is that our soul, our aspiration towards the Divine, which is our eternal love, never has died and never will die. To be responsive to that enduring aspiration is to die to the items of the mind and therefore the senses, and are available to grasp the cosmic life and Divine grace. 




Kali grants us this life. Yet life encompasses a price. Only that which is immortal will be immortal, as nothing can change its own nature. The mortal and therefore the transient must depart this world. to achieve the eternity that's Kali, our mortal nature must be sacrificed. Hence Kali appears frightening and destructive to the standard vision. Kali because the power of death and negation is Nirvana, the state of the dissolution of desire. 

 Kali develops forms only to require us beyond form. When her force awakens within us she works to interrupt down all limitations and attachments, in order that we'd transcend the whole field of the known. Kali is the power of action or transformation (Kriya-shakti). Through time and breath, all things are accomplished. Yet what she accomplishes isn't mere outer action. 

Kali is blueness in colour and wears a garland of skulls. She has her long tongue protruding and is laughing. Sometimes rather than a tongue, she has two fangs. Kali has four arms and 4 hands and holds a head chopper with one hand and a severed head dripping blood with the opposite. along with her other two hands, she makes the mudras of bestowing boons and dispelling fear. She wears a skirt product of human arms. Kali is portrayed as dancing during a cremation ground and striding on a corpse (who is that the style of Lord Shiva himself).